A blog about my writing journey, book reviews, art and anything that I deem blogworthy.
Tuesday, September 9, 2014
Thursday, March 27, 2014
Thursday, October 10, 2013
I'm a Stupid Cupid winner!!!!!
Tuesday, October 8, 2013
I'm back! Photo of the day, Day 1 and Day 2
It's been fun and therapeutic but I'm not going to make a living out of it. I may take it up again one day when I have more time but for now it's just a weapon I'm using to defeat that blasted creative-block-monster (Let's give this guy a name. How about Bob? Bob the block monster).
Another weapon in my attack against my own personal monster is the camera! I've always loved photography. I've mostly used it for taking pictures of the kids but I've recently decided to seek to understand my camera and learn how to take some cool shots. I'm going to embark on the "A Photo a day for a Year" journey.
Here's what I took yesterday:
I found a leaf stuck in a spiderweb and thought it would be fun to see how I could capture it. The above was the result.
My day 2 photo: My parents neighbor has this wagon in their yard. Every time I see it I itch to take a picture of it. Today I finally did.
So there you have it. I've put on my super-cape in order to defeat the dreaded monster (AKA Bob) who sucks creativity and confidence out of unsuspecting prey. Now you know my secret weapons. Cheer me on so that maybe one day I'll find my way back to my writing desk and I can give Bob and big ol' knock out punch right in the kisser!
Friday, December 16, 2011
Inspired by books: Her own personal Narnia
We are lucky to have my parents nearby. They only live about 15 minutes away so the kids get to see them often. They have this fabulous yard, the kind that beggs for kids to be as they really are; adventurers, warriors, race car drivers, wizards and creators.
They have this plant in the yard (as seen in the picture) I don't know what it's called but they look like cat tails on steroids.
Since my daughter has been reading MANDY she has been taking care of this patch of vegetation and making it her own "Narnia" as she calls it.
She has woven mats out of blades from the plant.
she has even made some chairs (held together by tape) Don't they look like something straight out of Fairytopia?
The best part is that there is an open circle inside the plant. This is what she has REALLY been working on. It's her own fort. The place where she will put her chairs, mats and other decorations. She has spent hours on it already and she's still going strong.
But this is just the beginning! There are so many great books she has yet to discover. I can't wait to see what she'll come up with next.
It takes me back to my childhood. I loved making my own forts, hiding places and other worldly places.
What about you? Did you have your own world or . . . how were you inspired by books as a kid (or heck, even now?)
Thursday, December 8, 2011
Encouragement for Writers: An Agent Success Story With Kathleen M. Reilly
Kate has graciously answered some of my questions about her journey to finding an agent.
But first, a little about Kate. She's one of the most dedicated, focused and hard-working writers that I know.
Kate's features appear in publications such as:
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Prior to launching a successful freelance career, Kate edited telecommunications and veterinary medical newsletters, website copy, and technical documentation.
Kate develops, writes, edits, and designs a wide range of business materials, both in print and online, including brochures, newsletters, press releases, corporate identity pieces, marketing "give-aways," and website copy.
And now, (drum roll please) Kate's interview about how she found her agent:
What type of writing do you do and how long have you been writing?
I’m a freelancer, so most of my work is writing for magazines. I’ve been doing that for about nine years. A few years ago, I started writing non-fiction children’s books for Nomad Press, an indy publisher in Vermont. I’ve done about seven books for them now.
How long had you worked on the manuscript that landed your agent? How many revisions?
when did you seek an agent for the first time, and how/why did you know it was time to look for one?
At the beginning of 2011, I decided it was well past time for me to do what I’ve always wanted – write fiction! So, in January, I began tossing plot ideas around in my head. I started writing in earnest in February. I finished the first draft a couple months later (I write fast!), and I must have done about three major revisions. I started looking for an agent in August. I knew I was ready because I felt like I’d taken the revisions as far as I could go. I was ready for some input from someone who does fiction day in and day out – someone who really knew this side of the business well.
How did you find your agent and then come to the conclusion that she was “the one?”
I did a lot of research to find an agent. I ran searches on different “find an agent!” sites, putting in my key points – I needed someone who did middle grade, who was interested in “boy books,” and who took submissions via email! When this agent responded to my query, she was very polite, professional, and seemed genuinely excited about my manuscript. And when I found out we’d gone to the same university, I figured it was fate!
What encouragement given to you did you hold onto while you were searching for an agent?
As a freelancer, I’m used to rejection. It’s just part of the business. Nothing personal at all – there are so many variables that come into play. Do they already have something similar in the works? Does that particular editor just not like that particular spin on the idea? Is she just having a plain old bad day? Maybe they already ran a story too close to that topic. In any case, I didn’t take rejection hard when an agent said, “No, not for me.” I liked my story; I have a fantastic writing group who supported me; and I knew I’d eventually place it somewhere. Sometimes you just gotta kiss a lot of frogs!
What encouragement or advice do you have to give to those who are searching for an agent?
I regularly go mountain biking with my tween- and teen-aged sons. Trust me, you’ve gotta work hard to keep up with these guys! But it turns out, it’s actually pretty fun to really push myself. Same goes for the whole writing process and looking for an agent. Just like in mountain biking, you’ve got to expect some setbacks – and possibly even some wipeouts! Yeah, those pitfalls are more emotional than physical in the writing biz, but you’ve still got to pick yourself back up and keep pushing. Old advice, but it’s really the truth!
Thank you, Kate, for sharing your success story with us. You are an inspiration! All of a sudden I have the urge to go mountain biking. . . . .
Wednesday, November 23, 2011
"How to Milk a Dinocow" Book launch!

Do you remember when we sent Critter around the world last year? Critter met all kinds of writers and illustrators and then was auctioned off for St. Jude.
Critter's mega-talented creator, Ian Sands, has his first humorous middle grade book coming out on December 10th.
If you're in the state of NC . . . .“How to Milk a DinoCow” will be released December 10, 2011. The publisher and the Halle Cultural Arts Center, located on Salem Street in downtown Apex, NC will be co-hosting the launch event which is open to the public. The event will take place from 3-5PM. But you can pre-order it here
Don't forget to become a fan on Facebook too!
Go on! Reserve your copy. You know you want to!
Wednesday, November 9, 2011
NaNo, words flow, go, go, go! How do you get the words out?
I can't believe NaNo is going so well for me this year. I have three youngin's and a busy life. I didn't even know if I should tackle NaNo this year; 1) because my past NaNo stories have turned out to be junk 2) I didn't know if I had the time. I hate to start something and not finish it.
But then I decided to do it; 1) because a friend talked me into it 2) I had an idea to write the back story and character sketches of my book instead of the book itself 3) we all can find time to do the things that we WANT to do. I knew I could find the time if I really tried.
I encourage anyone who is thinking about NaNo to do NaNo on in the way that will best suite you and your goals. Who cares if you don't make it to the full 50K? Who cares if you are writing a book about your book? Who cares if you're just brainstorming nothing in particular? The point is setting your goals and working towards them.
Writing a book about back story and characters seems "weird" but it has been really helpful.
1) I'm gaining a better understanding of what motivates my characters and how they effect each other.
2) I'm seeing my characters in a more well-rounded way. They are becoming real to me and I think that will help my story when I start to really write about them.
3) I'm able to connect the dots with some questions I had in my mind but didn't know how to work them out.
4) My inner editor is completely shut off. None of this is meant to be cut and pasted into my novel, so I can type freely with little to no road blocks.
When I do find that my creative process is slowing down, I know it's time to stop. One of the best ways I find to let the words flow is to visualize the scenes or thoughts that I want to write about, like I'm watching a movie in my head, before I start to type. The clearer movie-like picture I have in my head, the easier it is to let the words pour out.
OK, I'm going to go now and try to plunk out another couple thousand words. That is, if I can keep the cat off my key-board. Shooooo Sammy, shoooooo!
What about you? What helps you get the words out when you're writing?
Monday, November 7, 2011
Encouragement for Writers: An Agent Success Story with Jenny Murray
Visit Jenny Murray at www.jennymurray.net
What type of writing do you do and how long have you been writing?
I write novels for middle grade readers. I have been writing all of my life, though it’s only been since 2003 that I’ve been seriously working toward a goal of publication.
How long had you worked on the manuscript that landed your agent?
I started this project almost four years ago, and I worked on it exclusively for about a year and a half. Then I thought it was ready to go out into the world, and I started the submission process while beginning another project. It wasn’t ready, though. After receiving mixed feedback, I pulled it back out for another full revision. This latest revision took about six months.
How many revisions?
Nineteen and counting!
When did you seek an agent for the first time, and how/why did you know it was time to look for one?
I have to admit that I submitted this book too early. It wasn’t ready. I think I thought it was done because I wasn’t sure what else to do with it or where to get more feedback. Then I received a few personal rejections. They were gifts because they helped me see the hard work that still needed to be done. They gave me direction.
How did you find your agent and then come to the conclusion that she was the one?
My final path to representation did not follow the normal querying process. The first time I queried agents, I received several comments about the characters and setting of the novel. They both needed to be strengthened. I listened and took the comments to heart, working for a solid six months to bring the novel to its current form. I felt good about my work, but didn’t want to make the mistake of querying agents too soon again.
Luckily, the Carolinas SCBWI conference was just around the corner. I signed up for a critique, hoping to get some positive feedback, but also hoping to know if my changes were working. I was assigned an editor from a major publishing house for my individual critique session. She was wonderful, saying that she loved the pages and that I could say she was interested in the project in my queries to agents.
I talked with a few authors at the conference. They were tremendously helpful, and when I returned home I began my query process. While I was researching agents, Danielle Chiotti of Upstart Crow Literary contacted me. One of her clients, whom I had met at the conference, told her about my project. Danielle queried me asking to see my manuscript. Completely flattered, I sent it to her.
Within two weeks, I had two offers for representation. I spoke with both agents on the phone, and I was immediately drawn to Danielle’s professionalism and enthusiasm. I finalized my contract with Danielle one week later.
What encouragement given to you did you hold on to while you were searching for an agent?
I remember reading that even in this tough economic climate, there is, and always will be, a place for great books. This comment stuck with me as I worked on my book. I listened to feedback even when I wanted to ignore it and say I was done. It was a struggle and sometimes discouraging, but I always knew that I had to work to write the very best book I can write.
What encouragement or advice would you give others who are searching for an agent?
Keep writing. Revise, revise, and revise and then revise again. It’ll happen.
Anything else you’d like to add?
I’m still revising! I’m working on Danielle’s editorial letter (seven, single spaced pages) and I am thrilled because her comments are spot-on and making me ask hard questions about my book. I still struggle with impatience, but I know, in the end, my book will be better for the work. And that’s the goal. I want to write the best book I can because what we do is too important to rush. We’re building the reading lives of young people. They deserve the very best books we can write.
Thank you for joining us and sharing your journey to representation, Jenny.
Friday, November 4, 2011
Making NaNo progress.
I'm off to a good start. I've averaged a little over 2000 words per day. I'm not going to be able to do any typing on Saturday because I'll be out doing family stuff, but I'll be thinking and visualizing what I want to write next. That's one key that I've found to being able to type fast and furiously. If I have a movie-like idea in my head of what I'm going to type next, the words just flow.
I'm having tons of fun with this. I'm unlocking a lot of nuggets in my head and finding out a lot about my story that is falling into place. YaY!
More next week. I have to get ready for the weekend.
Monday, October 31, 2011
NaNo WriMo by Numbers
NaNo is a pretty large monster of a word count to tackle. 50,o00 words in one month. I'm not even writing my actual book. I'm writing a book about my book. The back story and character sketches . . . if I get that far.
It helps me to break down those mongo-freaky numbers into smaller parts. Let's see . . .
There's 5 weeks in November. That = 10,000 words per week.
week 1 has 5 days = 2,000 words per day
Week 2-4 has 7 days =1428.57 words per day
Week 5 has 4 days = 2,500 words per day
OK. I think I can manage the daily word averages. All that will take is discipline to make useless time into writing time. (buh-bye facebook games)
This is what I need, though. I need to get back into a regular writing schedule. Dump my brain-numbing down time and make it productive again.
Let's see . . . what other numbers will this month of NaNo Wrimo hold?
at least . . . .
30+ cups of coffee
29 time of scolding myself for checking facebook
8 pens
7 pencils
26 sticky notes that I misplace
25 late nights
24 more times of scolding myself for checking facebook
3 scones
22 cups of tea
21 new songs on the i pod
10 crumpled pieces of loose leaf paper
50 times pushing my cat off my keyboard
and a partridge in a pear tree. . . . . (squawking at me for checking facebook)
But it's not really about the numbers . . . is it? It's about setting a goal and reaching it. It's about getting your backside nice and comfy in your seat of choice for the long-haul.
Even if you're not doing NaNo this month, what kind of goals do you have and how do you set yourself up to meet them?
Wednesday, October 19, 2011
Win an ARC
Want to win an ARC of a book, MY VERY UNFAIRYTALE LIFE, that sounds like loads of fun and has an aWesomE cover as well? Of course you do!
go to Anna Staniszewski's blog to enter! Click here!
Monday, October 17, 2011
I'm gonna do it!
OK. I'm in. At first I didn't think I'd do NaNo again. I've done it a couple of times and the novels I wrote ended up being junk. I did learn a lot, but it's a big goal in a short amount of time. I didn't know if it would be worth it.
I just signed up to take the Full Novel Course through the Institute of Children's Literature. I'm just getting started and I wasn't sure if I should put any more work on myself than I already have. I decided to approach this differently, though. This year, instead of writing my actual novel, I'm going to brainstorm the back story of my current book. That way I'm not working against the course that I'm taking. Instead, I'm supplementing it.
Plus, I need to get back into a regular writing routine. My discipline has gone astray over the past couple of years. It's time that I get serious again and get my butt back in the chair. NaNo is a great way to do it.
So, who else is in? I'm CEvers on the Nano web-site if you want to add me as a buddy. :0)
Monday, September 19, 2011
In honor of ye ol' Talk LIke a Pirate day, ye best be sheddin' yer land lubbin name and get yerself a name fittin' for a pirate at Ye ol' Pirate Name generator. ARRRRRRRRR!
My new pirate name be Burnin' Juliana Hawkins. What be yers?
Wednesday, August 31, 2011
Stairs to Nowhere
Why was the entrance covered up? What are they hiding? Is it a porthole to another world? Maybe there's a secret code or trigger that opens up an unseen door. . . ..
Or maybe this image is a metaphor for something in your life. I've got to admit, right now I feel like those stairs leading to a brick wall represents my writing efforts. (not to mention other areas in my life.)
What about you? What thoughts or stories are brought to mind by this picture? I'm curious.
Wednesday, April 20, 2011
Play a game with your Characters
Character development doesn't have to be dull. Try playing a game with your characters. In John Green's "Finding Alaska" his characters play a game of "Best Day, Worst Day" where each character told the others their best and worst day. I found this interesting because the answers each character gave told the reader the experiences that made them tick, gave them their drive and direction in life.
So . . . I thought, that may be a good character development game. Then I started to wonder what other games might be fun to play while getting to know our characters. hmmmmmmmm
Monday, April 11, 2011
Trying someting new: Developing character voice
Since I started this adventure in writing I learned pretty zippity-quick that in order to make it in this business, you have to have a strong voice. It took a while for me to get a grasp on "what" voice is. It's not the easiest to explain. However, KNOWING what voice is doesn't mean that it comes easy. I've finished my first Novel, UNSEEN, but I tried so hard to make sure all the words were perfect that I think the voice came across unnatural. I still love the story and will most likely go back to it one day and try to fix it. For now, I'm starting a new book. I'm aiming for a natural yet unique voice. So . . . before I begin the book, I've decided to get into my main characters head. I am starting a journal as if my main character were writing it. I'm hoping this will give me a good idea of who my character is, how she thinks, talks and even how the story will unfold. Usually I need an outline to write a book. But with this journal thing . . . I can just let the story take on a life of it's own. I'm hoping this journal will give me the structure for my outline. Who knows. It's worth a shot to try. That's part of the fun of writing . . . right?
So . . . what do you do to get to know your characters and develop their unique voice? I'd love to hear more ideas!
Thursday, March 31, 2011
Part 2, The Psychology of Change: Developing Authentic Characters
Part 1 dealt with how your character experiences a sense of loss in their life when change occurs and how your character responds to it. Even good change produces stress and a sense of loss. (ie: a new baby means a sense of identity loss, loss of territory or turf, loss of sleep etc.) Click here to read to Part 1 (Or you can just scroll down. Whatever. Take your pick.)
Part 2 deals with outside influences and how they help or hurt your character as he/she deals with the change and sense of loss in their life.
The Transition Phase
Things that help a person move through the Transition Phase of "change"
1) Ceremony: Studies show that people tend to get over the stress of "change' in their life if they go through a ceremony, ritual or right of passage of some sort. ie: funerals help a person transition from dealing with a death and moving on with life. Weddings help people transition from a single life to married life. Journaling is a ritual that helps people sort out feelings. Burning pictures, throwing out items, writing letters (you know . . .that sort of stuff) are other types of rituals, ceremonies or rights of passage.
2) Venting: Transition is the time when a person just needs to vent, not be fixed. They needs someone to listen rather than someone to solve their problems.
3) Allowed to act out of character: This is a period of time where your character my act in ways that they normally wouldn't act.
4) People in transition need . . .
A. A positive reminder of why they are going through this change
B. A reminder of the big picture; what is at the end of the road of this transition
C. A plan of action
D. A role to play in their transition. They need to feel like they have some control by taking part in the events that will lead to their end fate.
E. Care
F. Concern
2) How do other characters help or hurt your character in their transition? Who gives your character the support they need? Who is a negative influence that makes it difficult for your character to make progress? Remember, even friends and loved ones can be a negative influence in your characters progress. It doesn't have to be the antagonist who creates all the tension. Even well-meaning people can flub-it-up for your character.
3) How do relationships change for your character during this time of transition? Does he/she gain or lose friends because of the change itself or your characters reaction to change? Does your character start to see a side of people that he/she has never noticed before?
4) What does your character realize about him/her self that they never realized about themselves before? Do they like themselves better or worse? How do they view themselves differently than before? (ie: do they find out that they have a deep inner strength than the realized or do they end up finding out that they are really more of a whiner when things get tough?)
5) Does your character feel like they have any control over their situation or feels like everything is out of control? Does he/she try to take control or does he/she feel hopeless?
Part 3 of the Psychology of Change is "Conclusion" This is simply where your character has found resolution in their circumstances and the "change" in their life is now the norm. They have found peace and acceptance of their circumstances. The end of the story is a new beginning for your character.
This is the Psychology of Change in a nutshell. I hope it helps you in your character development! I'd love to hear if it's useful.
Tuesday, March 29, 2011
The psychology of change: Developing authentic characters
So . . . I thought I'd share what I learned about the real life psychology of change and how it can be applied to our characters and help shape our stories.
The 3 parts are broken down into
Part 1: The Beginning is the End
Part 2: Transition
Part 3: Conclusion
Today's post is dedicated solely to Part 1: It deals with A. the change in your characters life, B. how it effects them and how they deal with it.
Part 1 The Beginning is the End:
The beginning of your story starts at a point of change for your character. This "change" is the end of "something" for your character. Even if the change is positive, like becoming more popular, moving into a new house, having a new family member or travel. All change produces stress and a sense of loss. Ask yourself, "How does this change effect my character. What have they lost as a result of this change?"
A: AREA'S WHERE CHARACTERS FEEL A SENSE OF LOSS AT THE ONSET OF CHANGE.
1) Territory: Does their change cause a sense of displacement in their turf or environment. (ie: does the new brother or sister make your character feel out of place in their own home? Do they have to move rooms? etc)
2) Relationships: How does this change in their life effect their relationships? ie: does their newfound popularity or starring role in the school play cause tension with your characters best friend?)
3) Meaning and purpose in life: Has this life-change caused your character's belief system or purpose in life to be thrown off kilter? Have they lost, in anyway, what gave them a reason for being?
4) Control: What has your character no longer have a hold on? money? health? safety? sleep? etc.
5) Future: How has this change caused your character uncertainty regarding their future?
6) Identity: How has this change caused your character to no longer be what they were before?
7) Structure: How does this change uproot your characters old routine?
B. Now that you've determined area's where your character is experiencing loss, ask yourself, "How does my character respond to their loss?
Do they . . . . .
1) try to restore what they lost? Are they trying to get back exactly what was lost? (ie: get back the same boyfriend)
2) try to replace what was lost? Are they wanting to gain back something similar in a new way? (ie: replace the old boyfriend with a new one)
3) try to redesign what was lost? (ie: develop a new plan. Do they really need a boyfriend? If not, what is their new pursuit?
4) relinquish what was lost? Your character gives up on replacing, restoring or redesigning and moves on to something new altogether.
The next post will be about Part 2, the Transition and what helps or hinders your characters transition.
Thursday, March 3, 2011
Words of encouragement for authors and writers, from one of my favorite authors . . . Kathleen Duey
This interview of Encouragement is especially meaningful to me because one of my favorite authors, Kathleen Duey, has given us her personal insights into handling discouragement as a writer. Kathleen is the author of over 70 b00ks for ages k-YA. This is a gal who has faced the dragons of defeat and fought them head on! She's my hero!!!!
Here, exclusively at Christy's Creative Space, she gives encouragement to writers both published and unpublished based on her years of experience. I hope you get as much out of her words of wisdom as I have. Since I've been researching Unicorns recently, I thought Kathleen would be a great person to interview since she has written a popular series about Unicorns, starting with "Moonsilver" which I will review in the near future.
1. Do you have a favorite saying, quote, or poem that inspires you during times of discouragement?
Quotes , wise sayings, and favorite poems make me smile, laugh, cry, and often touch me deeply, but they don’t help me write when I am discouraged. I have learned to go outside and do something physically exhausting instead of staring at the screen. I put a digital recorder in my pocket when I pick up my garden shovel because once I get out of my head and into my body, ideas always come, characters always talk, and when the chores are done (or sooner, if the ideas are breathless and urgent) I can always write. On bad weather days, I dance to loud music, indoors.
2. Do you have a story about discouragement in your own writing career?
It seems to me that discouragement is a common resting state for most writers. If we work hard, don’t quit, and get lucky, it alternates with wild and glorious writing-fever, joy when a book is acquired, praised…then we start over. Do I have a personal story of discouragement? No. I have a gazillion. So let’s talk about a story in progress:
One of my current works is the third version of something an editor I love is interested in. I was SO sure I had nailed it in both versions one and two. The editor was kind enough to give me some phone time. Talking to her, I finally realized that the parts of the project that tickled her were sidelights for me—and the core inspiration/heart of the thing for me was the “too introspective, less broad-appeal/less commercial” part for her. She wants MUCH more humor. She had said that very clearly, both times. I just wasn’t listening very well. Her last words (via an email) were: “Remember: have fun!”
So.
Start over………????
Day one: Loop tape in my head: Am I capable of writing the kind of humor she wants?
Day two: Loop tape in my head: Seriously. Am I capable of writing anything anyone would want?
Day three: I loved the original version, inspired by immigrant kids I know. That was the heart/mind grounding of the story. The spark. And it had a lot of humor in it. Or so I thought. Can I even TELL what’s funny?
Day four: Maybe the truth is I really can’t write humor very well.
Day five: Maybe the truth is I can’t write humor AT ALL.
Night five: Maybe I didn’t do my homework? Wouldn’t be the first time.
Day six: I reread several very funny books for the age group that have done well in the marketplace. I suddenly saw my revisions as the flimsy compromise/ hybrids/ they were. I had added token humor to please the editor, not the child-reader—or me.
Day seven: The discouragement began to lift because I had identified the problem. It was a HUGE one, but at least I saw it clearly. I used Amazon to read the available pages of a few dozen more best-selling funny books for the age group.
Day eight: I wrote a big, multi colored sticky note that summarized what I had learned: “Self-absorbed characters are usually funnier. If they aren’t inappropriately confident, kind of oblivious, and impervious to real growth, we can’t laugh without guilt.”
Day nine: I began to write down concepts for the next version.
Day ten: I began to hope that I really can nail it this time.
Day eleven onward: I am working on it as much as I can while writing another book. I THINK it is really funny now.
3) What words of encouragement do you have for people who have yet to publish their first manuscript?
Almost nothing is fun until you get good at it and that takes time. Writing is an art, like painting, like playing the violin. Expect a long learning curve and know that it is typical. We all struggle with the elements of writing. We all wrestle words into place, fight with a tough scene for days. We all stare at blank screens, blank paper, the blank face in the mirror and know, beyond all doubt, that we can’t write, then three days later we give ourselves goose bumps writing a scene that resonates in our hearts. Persistence and Patience are your best friends, talk to them often, stay in touch.
4) What words of encouragement do you have for those who are published yet are seeking further publication?
Every writer is seeking further publication, I think. I certainly am. Learning to deal with the gaps and occasional failures and the W. A. I. T. I. N. G…… is just part of the job description. I am not saying it’s easy, I’m saying it’s inescapable and that you will get better at it with practice. Try to always be expanding your skills, experimenting, fiddling with ideas and techniques.
For me, the very best cure for discouragement is to write, to re-discover the exhilaration and of the art and craft itself, to remember how wondrous it is to take thin air and weave a story from it. On my worst days I remind myself that I am part of an ancient, disorganized guild of artists, a scattered and various tribe of people who have always bared their hearts, and by doing so, bared everyone’s hearts. We do something basic, pivotal, essentially human, something that is both loved and needed by everyone. Most days, remembering that is enough to help me nudge discouragement aside and get back to work.
Thank you so much, Kathleen, for taking this time to give us words of encouragement. I love that you find inspiration in living life and dancing. It's also great to know that even the "GREATS" like you, question themselves. It give me hope! :0)



